On their part, the two principal characters go about their affair without much fuss. Finally, the film trails off into predictable terrain in order to ensure that the audience returns home with some sense of the legal standing of consensual homosexual relations in an ultra-orthodox society such as ours. The build-up to the final confrontation - it pans out at another wedding on the eve of the Supreme Court's September 2018 judgment on Section 377 - is messy and over-dramatized. The two spurned souls decide to take the bull by the horns, setting the stage for the second half of the film. Even as matters spiral out of control and curfew is about to be imposed in the city, the Tripathis gear up for the long-awaited wedding of Rajni alias Goggle (Maanvi Gagroo, lively), daughter of Shankar's younger brother, Chaman (Manurishi Chadha in fine form), a failed lawyer who lives in the same household with his combative wife Champa (Sunita Rajwar).

He thrives on the attention his invention has garnered. The breakthrough does not go down well with vegetable farmers and agitating cultivators target Tripathi's abode. The brood is headed by Shankar Deenanath Tripathi (a terrific Gajraj Rao), a scientist who develops a variety of black cauliflower that is supposedly more nutritious than the gobi available in the market. They are as middle-class as they come and are afflicted with all the prejudices and misconceptions about love, marriage and sex that Indians of their ilk have always nurtured. Shubh Mangal Zyada Saavdhan situates its story in the home of the Tripathi family of Allahabad. Shubh Mangal Zyada Saavdhan Movie Review: A still from the film.

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